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Thursday, February 20, 2020

Use of Colors in Architecture

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A live example of using colors in Architecture: Cinque-Terre village in Italy, Photo by: pexels.com

Importance of Colors in Architecture

The architectural elements, and especially the elevations, refer generally to the outside appearance of the building in terms of designing and often impresses the viewers a lot at first sight.

Nowadays, as art is more and more integrated into architectural designs, the elevation of an edifice is no longer a matter of boring repetitive patterns.

Color as an essential decorative element starts to play its role. Color is a deeply emotive subject.

For most of us, it is also a highly personal concern, where every one of us has a unique response to color that we develop internally through experience and association.

In the western, within the late 20th century there was a thinking that the color becomes secondary and only decorative. The use of natural, and material color found in concrete, metal, and glass have dominated the architectural industry since Le Corbusier.

White has often been associated with an elevated intellect and consequently delegated to the arena of playful decoration with, but a few notable exceptions such as the chromatically masterful architect, Luis Barragan. Unfortunately, color has often been used so badly on the outside of the buildings, although it greatly feared large-scale colorful architecture.

Apart from some rare exceptions, where cladding materials lacked durability and light-fastness, color has been, on the whole, conspicuously absent from our constructions.

Recently a visible renaissance is taking place where smart, provocative, and serious color is being used to serve the form and the shape, in addition to the function, and take a leading role in architectural environments.

This awakening, if we can define it like so, occurred between 2004 and 2008 clearly illustrating this resurgence over a short period.
We have, for now, put aside our chromophobia, replacing the achromic facades of the last several decades with a polychromatic celebration of new technology.

What is most intriguing about this collection of projects is the diversity of materials and installation.

Color has become wholly integrated into the construction process with a vast array of techniques.
Rather than being considered as a secondary afterthought, chromaticity is now considered through a material, a surface, a light, and a finish at an early stage in the design process.

Technological advancements over the last ten years have enabled the use of cheaper, repeatable, and more durable materials than ever before, available in an extensive range of colors.

Paints are more UV-stable, colorfast Polymer-based, and able to cover large spaces.
Curtain wall technology allows the usage of a range of materials to cover a façade.

We can find widely around the globe interesting examples of this colorful and joyful architecture used with colors to the fullest;
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Image by TheRealTimTam from Pixabay

Cinque-Terre village in Italy is an alive example of the use of colors in architecture, presented within its houses all over the rocky site of the town's situation, as shown in those amazing pictures from Pixabay.com.

Preview about Cinque Terre. The Cinque Terre zone is a well-known vacation destination worldwide. It comprises five villages: Monterosso al Mare, Vernazza, Corniglia, Manarola, and Riomaggiore. It is located on the northwest side of Italy and its name means "The Five Lands".
Throughout the hundreds of years, individuals have been manufacturing terraces including yards, on the tough and rocky view, straight up to the precipices that overlook the Mediterranean sea. Pathways, railways, and boats were the only way to connect between the five villages that compose the interface. Vehicles can combine them from the outside just by means of restricted and unsafe mountain roads with extraordinary trouble. The coastline, the five villages, and the surrounding hillsides are all part of the Cinque Terre National Park, a UNESCO World Heritage Site.

Still, we didn’t talk yet much about the use of colors in the interiors, which is much more reputed and usable than the exteriors.

6 selected marble-colored types that will change your mind thinking about the marble!

The most architectural element that uses more colors than the other ones, is actually the flooring and its covering.

Why is that?

Simply because it's the first thing that came to eye contact when entering a certain place.

Marble tiles are exceptionally elegant and durable when it comes to floor tiles and even wall claddings. This is the reason why it is one of the most favored sorts of stone utilized widely in designing countertops, walls, and floors.

At the point when you're dealing with marble tile flooring, it is significant that you pick the correct hues to make a complimentary impact with the rest of your home, office, or some other places you are designing. There are various shades to choose from and you might be shocked that imagination goes far while attempting new mixes and hues.

The following is a list of the most commonly used various hues of marbles’ textures:

Sichuan Marble as a Panel ready to be cut
1. Sichuan marble. This kind of marble tile is white and looks pure and clean. Although the material is for the most part utilized for chimneys and statues, it additionally gives exemplary specifying to floors. The graining is light or reasonable which frequently has a dark shading. This sort of marble flooring is best when set in a territory with a great value of light.

2. Darker marble. This sort of marble tile shading may go from red to tan to a darker color. The variations are either beige, flesh, or black. This is generally utilized in sanitary rooms and exterior terraces. Dark-colored marble gives a natural tone that is best for surfaces with plants and outside gardens and lighter colors. The differentiation between the darker floor and light stylistic themes makes a very nice impact.

3. Standard Hunan. This kind of marble tile has either dark or dim shades.
The dim may go anyplace from light to dull with dark graining. This sort of marble tile flooring is useful for porches and kitchen areas where the lighter tones of the kitchenware or a white entryway give an amazing contrast feeling for a better combination.

You may likewise decide to analyze utilizing both dark and dim Hunan tiles to make an emotional concealing look.

4. Brown-gray aggregate. The total may contain completely white marble with greys-hued graining or an assortment of patches going from red to orange to grey degradation. It is actually difficult to deal with this kind of marble since it may not fit within the wanted area to cover.

5. Brown-white marble. The degradation of this marble tile is generally a mixture of brown and white which appears great in living rooms and bedrooms.
Some may contain small holes that can be repaired with relevant filler paste, but the advantage is that it provides a cooling effect since it doesn't hold heat for long but absorbs a cold environment. Some of these tiles may also have an orange shade.

6. Rosette. This is a new-discovered kind of marble that best accommodates within the rooms since it has a somewhat pink or peach shading. The graining is heavy, but it creates a very elegant and stylish look since the tiles are polished. Note that all marble tiles are amazingly a great natural rock.


The degradations, the granule texture, and considerations are for the most part unique which gives more space for testing. Ensure that you follow the correct installation process to guarantee that it remains firm and stable.

Polishing and resealing are the essential processes needed to keep them brilliant and shining and healthy for a longer time.

Looking for more information about the colors and their relation with the design and architecture, it's time to buy the right book!

Book Recommendation

Buy a related topic e-Book today,
and Place your Order here!

by the Author: Margaret Portillo

Product details

Paperback: 224 pages
Publisher: Wiley; 1 edition (March 23, 2009)
Language: English
ISBN-10: 0470135425
ISBN-13: 978-0470135426
Product Dimensions: 7.4 x 0.7 x 9.1 inches

Editorial Reviews (As featured on AbeBooks.com)

From the Back Cover
An evidence-based approach to color planning lets you discover the impact of color on people and space.

The Back-Cover of the Book
You'll learn to systematically develop innovative, holistic color solutions in interior design with this book's evidence-based approach to color planning. The author sets forth a color planning framework that integrates multiple criteria, enabling you to fully consider the complex role that color plays in interior design.

Color Planning for Interiors is based on the findings from a national study that the author conducted, which identified five categories of color criteria:

  • Color as Composition
  • Color Preferences
  • Color as Communication
  • Color Pragmatics
  • Color for Engagement

The author interviewed noted designers and colorists about the projects that best represented their approach to color.
As a result, you'll discover how leaders in the field examine color from compositional, symbolic, behavioral, preferential, and pragmatic perspectives to arrive at a carefully considered solution. Moreover, you'll see how designers and architects apply this knowledge to a broad range of interior spaces, including workplaces, restaurants, retail settings, healthcare facilities, and private residences.

Complementing theory and research, real-life examples are presented from interior design projects that consider color concerning light, materiality, and interior architecture. In addition, full-color diagrams, photographs, and design renderings illustrate concepts throughout the book to help you understand how to select and work with color.

From the fundamental principles of color theory to innovative applications, all aspects of designing interiors with color are examined, making this book ideal for all professionals and students in interior design who want to develop the full potential of their color palettes.

Note About the Author

Margaret Portillo, Ph.D., is Chair of the Department of Interior Design at the University of Florida in Gainesville. Dr. Portillo is a member of the Interior Design Educators Council and has chaired the IDEC Color Network. She has taught color theory to both undergraduate and graduate design students for nearly two decades and has published and presented on color and the creative process nationally and internationally.


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